Sunday, January 29, 2017

Exhibition Label

Monumental to Miniscule

Title: DNA
2017 digital painting printed on poster board
Dimensions 26”x 36”

“You are worthy, our Lord and God,
    to receive glory and honor and power,
for you created all things,
    and by your will they were created
    and have their being.”   Revelation 4:11

This work is meant to display God’s wisdom in how intricate and thoughtful everything in our world and the universe is put together. By combining some of the smallest aspects of the human body and the great vastness of the universe, these images are meant to show that even the smallest elements in the universe were created with thoughtfulness and intent.

Outer space is such a vast and unknown place to us which makes us all the more curious about what all is out there. Astronomers have discovered many different and amazing cosmic features including, nebulae, other planets, star fields, black holes, and massive stars. When observing the seemingly infinite wonders of outer space it is easy to forget that the creator of these massive cosmic wonders also created the smallest most complex parts of our own bodies. This is where the idea stemmed from for this series of work which attempts to incorporate the cosmic realm and the microscopic realm in one image.

Friday, January 20, 2017

Understanding the Art Museum ch 3 questions

Art from Metropolitan Museum

Period: Early Bronze Age III
Date: ca. 2300–2000 B.C.
Geography: Central Anatolia
Culture: Hattian
Medium: Copper alloy
Dimensions: H. 6 1/4 x W. 5 3/4in. (15.9 x 14.6cm)
Classification: Metalwork-Sculpture
Credit Line: Purchase, Joseph Pulitzer Bequest, 1955
Accession Number:55.137.5






Date: mid-900s
Geography: Made in probably Constantinople
Culture: Byzantine
Medium: Ivory
Dimensions:Overall: 6 5/16 x 5 1/8 x 1/4 in.(16 x 13 x 0.6 cm)
Classification: Ivories
Credit Line: Gift of J. Pierpont Morgan, 1917
Accession Number:17.190.133









The Love Song
Artist: Sir Edward Burne-Jones (British, Birmingham 1833–1898 Fulham)
Date:1868–77
Medium: Oil on canvas
Dimensions:45 x 61 3/8 in. (114.3 x 155.9 cm)
Classification: Paintings
Credit Line: The Alfred N. Punnett Endowment Fund, 1947
Accession Number:47.26


The information that is given for each work of art includes the name, dimensions, medium, culture, time period, and credit line. These are all aspects of art that are included in a museums description of each piece of art work.

In the Yellowstone Art Museum the large gallery space upstairs is the one I have most visited because that is the gallery that holds the new exhibits that come to the museum. The space is large and can hold a lot of wall art as well as larger sculptural pieces on the floor. The works are arranged on the wall, and are located next to the other pieces made by the same artist. The lighting is focused on the pieces on the walls and in the middle of the gallery giving them the focus within the space. The temperature was at a normal temperature that was not noticeably cold or too hot. The humidity was not noticeable in the gallery space. With larger exhibitions the museum puts up ropes to keep guests from getting too close to the artwork. The gallery spaces do not have windows in them in order to protect the work from the sun while it is on display in the museum.

Kiki Smith
The Woman with Sheep is a piece which the art is located within the space of the viewers causing the guests to move around the pieces as if they were really sleeping in the gallery space. Making the art three dimensional and putting it into the space of the audience causes the viewer to move around and observe the sculptures from different angles.






Bill Viola
Stations a piece by Viola is a screen that is showing an image of a figure that is falling, and is then casting its reflection on a mirror that is placed under to give the effect that the figure is moving to the mirror on the floor. The screens are separated from the wall which gives them a more ominous feel because of the dark environment combined with the strange figure falling through the space.



Jenny Holzer
Holzer’s work relies on text that is projected on a large scale onto monuments or other popular locations. The effect of her work is greater that it would be in a gallery space. Because it is out and projected on important building and monuments it gives It a more important and intimidating feel.




Gallery Considerations

Functional considerations:
I do not see many issues with the traffic flow in this space, because it is wide and there is room between the sculpture exhibits for people to move through without being blocked.

Some of the materials look fragile and could be easily harmed unintentionally by distracted guests. Jodi’s pieces are very intricate and are projected a short bit off of the wall which could get caught on someone clothes if they got too close or did not realize their distance to the piece. The oranges that are on the ground are not as durable either because they could be moved, kicked, or tripped over.
The labels are hung comfortable for me they are just a little bit below eye level. The only issue I could see is a tall person would have to look lower to read the text on the label.  

The most dangerous aspect of this show would be the loose oranges on the ground that could easily be overlooked by a guest who is focused on the art or a conversation and may accidentally step on one and fall. A disabled person would be able to experience the exhibit because there is no levels to the exhibit space and there is enough room for a disabled person to maneuver around the space without running into anything.

The typography is easy to read and is done in a professional looking font that does not unnecessarily distract from the work.




Formal Considerations:
A basic font is good for most pieces unless there is a way that the font can enhance the work. If the artist created a theme in their art and found or made a font that intentionally relates to the theme and adds to the overall effect of the work.

There is a unity within the exhibits created by the same artist which is easier to determine a certain artist, but all together the show does not flow together. In a show with several artists it would help if all the art had to have one simple element or theme that could connect them all to make the show feel more connected.

Most of the work seems to be conceptual instead of representational and the art is contemporary and abstract.



Conceptual considerations:
The overall theme of this show for me seems a mix of organic and architectural works on the wall remained me of building and technical plans for buildings, organic elements the ducks, and animal paintings.


There is no defiant beginning point or end point a person would go in and begin on either side of the exhibit and not get confused or lost.

The sequence for this exhibit works because it is a display of several artists work so there is not a real way to organize it in a beginning to end point.

Visitor observations:
People under 25 might not be as interested in more conceptual focused art because most of the intent of the art is not instantly visible an needs to be thought about. People under 25 mainly children and teenagers would be more interested in fun colorful and interactive pieces that are more visually appealing.

People over 25 will be more interested in the more thoughtful artwork that leaves more to interpretation. The art that would be less popular would be the more self-explanatory work where there is not as much to interpreted or think about.

Most of the work is up to interpretation because there are no descriptions from the artists to explain the complete concept so people can bounce their interpretations back and forth off of each other. It might be helpful to add a rhetorical question to the description of the work or in the title which could encourage more discussion.

The only thing that I thought would be an issue is the free rolling oranges that could cause tripping hazards to be taken from eh gallery, or even taken by guests. I think if the oranges were held in place by something in designated areas out of the walking path it would e better.